(U)levelige slægtskaber: En analyse af filmen "Rosa Morena"

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Standard

(U)levelige slægtskaber : En analyse af filmen "Rosa Morena". / Petersen, Michael Nebeling; Myong, Lene.

I: K & K, Bind 2012, Nr. 113, 2012, s. 119-132.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Petersen, MN & Myong, L 2012, '(U)levelige slægtskaber: En analyse af filmen "Rosa Morena"', K & K, bind 2012, nr. 113, s. 119-132. <http://da.unipress.dk/media/3161359/9788771241815_k_og_k_nr_113_.pdf>

APA

Petersen, M. N., & Myong, L. (2012). (U)levelige slægtskaber: En analyse af filmen "Rosa Morena". K & K, 2012(113), 119-132. http://da.unipress.dk/media/3161359/9788771241815_k_og_k_nr_113_.pdf

Vancouver

Petersen MN, Myong L. (U)levelige slægtskaber: En analyse af filmen "Rosa Morena". K & K. 2012;2012(113):119-132.

Author

Petersen, Michael Nebeling ; Myong, Lene. / (U)levelige slægtskaber : En analyse af filmen "Rosa Morena". I: K & K. 2012 ; Bind 2012, Nr. 113. s. 119-132.

Bibtex

@article{063de4595db7410db9fe5a77df700f0f,
title = "(U)levelige sl{\ae}gtskaber: En analyse af filmen {"}Rosa Morena{"}",
abstract = "The Danish movie Rosa Morena (2010) tells an unusual story about kinship in which a white homosexual Danish man adopts a child born to a poor black Brazilian woman. Using a theoretical framework of biopolitics and affective labour the article highlights how the male homosexual figure is cast as heteronormative and white in order to gain cultural intelligibility as a parent and thus to become the bearer of a liveable kinship. The casting rests on the affective and reproductive labour of the Brazilian birth mother who is portrayed as an unsuited parent through a colonial discourse steeped in sexualized and racialized imagery. A specific distribution of affect, where anger turns into gratefulness fixates and relegates the birth mother to a state of living dead, and thus she becomes the bearer of an unliveable kinship. This economy of life and death constructs transnational adoption as a vital event in a Foucauldian sense. The adoption, simultaneously, folds a white male homosexual population into life and targets a racialized and poor population as always already dead.",
author = "Petersen, {Michael Nebeling} and Lene Myong",
year = "2012",
language = "Dansk",
volume = "2012",
pages = "119--132",
journal = "K & K",
issn = "0905-6998",
publisher = "Forlaget Medusa",
number = "113",

}

RIS

TY - JOUR

T1 - (U)levelige slægtskaber

T2 - En analyse af filmen "Rosa Morena"

AU - Petersen, Michael Nebeling

AU - Myong, Lene

PY - 2012

Y1 - 2012

N2 - The Danish movie Rosa Morena (2010) tells an unusual story about kinship in which a white homosexual Danish man adopts a child born to a poor black Brazilian woman. Using a theoretical framework of biopolitics and affective labour the article highlights how the male homosexual figure is cast as heteronormative and white in order to gain cultural intelligibility as a parent and thus to become the bearer of a liveable kinship. The casting rests on the affective and reproductive labour of the Brazilian birth mother who is portrayed as an unsuited parent through a colonial discourse steeped in sexualized and racialized imagery. A specific distribution of affect, where anger turns into gratefulness fixates and relegates the birth mother to a state of living dead, and thus she becomes the bearer of an unliveable kinship. This economy of life and death constructs transnational adoption as a vital event in a Foucauldian sense. The adoption, simultaneously, folds a white male homosexual population into life and targets a racialized and poor population as always already dead.

AB - The Danish movie Rosa Morena (2010) tells an unusual story about kinship in which a white homosexual Danish man adopts a child born to a poor black Brazilian woman. Using a theoretical framework of biopolitics and affective labour the article highlights how the male homosexual figure is cast as heteronormative and white in order to gain cultural intelligibility as a parent and thus to become the bearer of a liveable kinship. The casting rests on the affective and reproductive labour of the Brazilian birth mother who is portrayed as an unsuited parent through a colonial discourse steeped in sexualized and racialized imagery. A specific distribution of affect, where anger turns into gratefulness fixates and relegates the birth mother to a state of living dead, and thus she becomes the bearer of an unliveable kinship. This economy of life and death constructs transnational adoption as a vital event in a Foucauldian sense. The adoption, simultaneously, folds a white male homosexual population into life and targets a racialized and poor population as always already dead.

M3 - Tidsskriftartikel

VL - 2012

SP - 119

EP - 132

JO - K & K

JF - K & K

SN - 0905-6998

IS - 113

ER -

ID: 252411504